Edward Said Tingatinga
original hardboard paintings (c. 1968-1972), private collections and National Museum of Tanzania
In the tradition of Edward Said Tingatinga and the Tanzanian Tingatinga school. Bright enamel paintings of safari animals, repeated in flat saturated color on board.
Visual reference frames for this look are being generated.
original hardboard paintings (c. 1968-1972), private collections and National Museum of Tanzania
Dar es Salaam, ongoing production from 1990
spider Tinga Tinga panels (1980s-1990s), widely collected
second-generation narrative Tinga Tinga works
(2010)
UK/Kenya animated children's series inspired by the tradition
Tinga Tinga panel acquisitions
The exact knobs the renderer turns to produce this look.
hard cuts at 200ms, linear
Slow push (0.03, center)
tingatinga-enamel-bright
Honoring the Bamana bogolanfini mudcloth tradition of Mali. Hand-woven cotton dyed with fermented mud, geometric symbolic pattern in earth black on tan.
Inspired by the Asante adinkra symbol tradition of Ghana. Stamped symbolic ideograms (sankofa bird, gye nyame) in dark dye on hand-block-printed cloth.
Inspired by the Ndebele painted-house tradition of southern Africa, popularized by artist Esther Mahlangu. Bold geometric mural blocks in primary colors outlined in black.
Inspired by the tradition of Western Desert Aboriginal dot painting from communities such as Papunya. Concentric circle motifs and ochre dot fields express songlines and country.
In the tradition of Brazilian Literatura de Cordel chapbook woodcut illustration. High-contrast black-and-white prints of cangaceiro outlaws, saints, and folk tales.
Inspired by the Chilean arpillera tradition of patchwork burlap pictures that documented community life and political memory under Pinochet.
In the tradition of Edward Said Tingatinga and the Tanzanian Tingatinga school. Bright enamel paintings of safari animals, repeated in flat saturated color on board.