Post every week.
Never be on camera.
Paste a link or type the angle, pick a shape and a look, and the episode comes back narrated with a character fronting it instead of you. The four tools every guide tells you to stitch together are one flow here, so a week is one sitting rather than four exports.

- You bring
- A link or a few sentences
- You get
- The episode, and its shorts
- Runs
- One sitting a week
This is for you if
You have wanted to start a channel for a year, and the thing stopping you is not the idea. It is that you will not go on camera, and every guide answers that with four subscriptions and an afternoon of moving files between them.
What it will not do
Your face never appears, but a face does, and it does not mouth the words. The default is narration over the shots. Lip sync is real and it is a channel setting on Creator and up, but it only fires on dialogue scripts with named on-camera speakers, and when the face still or the line audio cannot be assembled the shot quietly renders as motion instead. So plan on a narrated channel with a recurring character in it rather than a character performing to camera every week. And nothing writes next week's episode for you: the angle is still yours to bring.
You bring one thing.
You get the rest.
A link or a few sentences
Two of the three sources fit a weekly channel. From a URL fetches an article or product page and drafts the brief and the quotable numbers off it. From a topic or brief is you describing the angle in your own words, with nothing scraped. Either one is about a minute of typing.
The episode, and its shorts
A narrated video with captions, one look applied to every shot, and a score composed underneath rather than picked off a library. When a long episode finishes, its strongest moments come back as up to three vertical drafts you approve or discard, so one sitting produces the week's video and the week's clips.



5 steps,
and you can stop
at any of them.
Nothing renders until you have read the script and looked at the shots. If it is going wrong you find out before you have paid for it.
- 01
Set the channel up once
Name it, pick the look, cast the character who fronts it, set the cadence to weekly. Episode titles number themselves from a pattern you write once, so week nine does not need naming.
- 02
Bring the week's angle
Paste the link or type the brief. This is the only part that is genuinely yours every week, and it is the part worth keeping.
- 03
Pick the shape
The templates page lists 32 starting points and 18 of them cut vertical. Character Vlog is your character talking to the lens for 60 seconds across four beats. POV Reel is three tight beats in 90. Listicle is a seven-item countdown.
- 04
Look at the shots first
You see the scene split and the stills before anything renders. A scene that came out wrong goes back with a note on what to change, rather than being re-rolled and hoped over.
- 05
Render, then take the shorts
The episode renders. On Creator and up the transcript is scored for its best moments and up to three vertical drafts come back off it; Studio approves them for you, lower tiers approve each one.
Weekly is four or five renders a month and Creator covers 30, at 1080p, no watermark, up to ten minutes each. Free stops at three renders a month and derives no shorts at all, which is the thing that makes it the wrong tier for a cadence rather than for a video.
See what that is →The ones
people ask.
- 01
Do I have to record anything?
No. There is no camera step and no microphone step. The narration is synthesised from the script, and you choose the voice from 35 presets before it is spoken. A character keeps whichever voice you gave it, so the host sounds the same in week nine as in week one.
- 02
Is this just the four-tool stack in one window?
It is the same four jobs, but the reason to do them in one place is not tab count. It is the character. Four separate tools draw a different person in every video, so the channel never gets a host anyone recognises, and that is the one thing an audience notices before the writing.
- 03
Can I really keep it up every week?
The setup is once: channel, look, cast, cadence. After that a week is a link or a paragraph, a shape, and a look at the shots before they render. What it will not do is decide what this week is about.
- 04
Does my character talk on camera?
By default no, narration plays over the shots. Lip sync is a Talking treatment setting on the channel, available from Creator up, and it needs a dialogue script with named on-camera speakers. When the pieces for a synced shot are not there the cue renders as motion instead, so a channel built on it will be inconsistent in a way a narrated one is not.
- 05
Where do the shorts come from?
From the long episode, after it renders. The captions are transcribed, the moments are scored, and up to three vertical candidates come back. They are drafts, not uploads: each one is approved or discarded, and rendering one costs what rendering a short costs.
- 06
Vertical or wide?
Both, and 18 of the 32 templates on the catalogue page are already 9:16. The pattern that holds up over a year is one wide episode a week with its shorts pulled off it, because the detection runs against an episode you have already made rather than against a blank page on a Thursday.


