TOOL ยท FREE

Video Budget Calculator

Add up crew, gear, post, and overhead in one sheet. Real numbers, no surprises.

HOW IT WORKS

Three steps to your cut

STEP00:00:00:0001

Add line items

Crew, gear, locations, post.

STEP00:00:01:0002

Set days and quantities

Math is auto.

STEP00:00:02:0003

Add overhead percentage

Markup, agency fee, contingency.

STEP00:00:03:0004

Export the budget

PDF or CSV.

What makes it different

FEATURES ยท ON-SET

Categorised lines

Same structure as a real budget.

Multipliers built in

Day-rate ร— days ร— quantity.

Overhead slider

Stack fees in one place.

CSV + PDF export

Client or producer ready.

Free

No watermark.

No signup

Browser-persistent.

VideoCue vs A blank Google sheet

Feature
VideoCue
A blank Google sheet
Pre-categorised
PDF export
Free
Overhead percent built-in

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Try Video Budget Calculator free

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Frequently Asked Questions

Most video budgets are wrong on the first pass

The two most common mistakes new producers make: forgetting line items (post, insurance, contingency) and rounding rates down because the gut says "that feels expensive." Both errors compound. The forgotten line items show up mid-shoot as cash crises. The rounded-down rates show up as crew bailing or quality dropping. By the time you've finished a project on a too-tight budget, you've burned political capital you'll never get back.

VideoCue's Video Budget Calculator is built to make line-item discipline easy. Every category that should exist in a real budget already has a row. Every multiplier (day-rate ร— days ร— quantity) is calculated live. Overhead and contingency are sliders, not hopes. You can't accidentally ship a budget without thinking about insurance, because insurance is a row.

The seven categories

A working video budget has seven groups. The calculator surfaces them in this order:

  1. Crew. Director, DP, sound, AD, gaffer, grip, hair/makeup, PA, etc. Day-rate ร— days ร— headcount.
  2. Talent. Actors, narrators, voice talent. Usage rights matter here โ€” broadcast costs more than web-only.
  3. Equipment. Camera package, lighting, grip, sound. Often per-day from a rental house.
  4. Locations. Permits, location fees, parking, security. Easy to forget; expensive when forgotten.
  5. Production support. Travel, accommodation, per diems, craft services, transport.
  6. Post-production. Editor, colourist, sound mixer, music license, VFX, motion graphics, captioning.
  7. Overhead & contingency. Insurance, agency fee, producer fee, 10-15% contingency on everything.

Some of these categories are tiny for solo creators and massive for commercial shoots. The calculator handles both ends without you having to delete rows you don't need โ€” empty rows simply don't contribute to the total.

Day-rate reality check (US, mid-2025)

These are mid-market US averages our calculator uses as defaults. Your city, project, and rapport with the crew will move them ยฑ50%.

  • Director: $1,200-2,500 / day
  • DP: $1,000-2,000 / day
  • 1st AC: $600-900 / day
  • Sound mixer: $700-1,100 / day
  • Gaffer: $700-1,000 / day
  • Key grip: $700-1,000 / day
  • HMU: $500-800 / day
  • PA: $200-350 / day
  • Editor: $500-1,200 / day (rate often quoted per-project for short videos)
  • Colourist: $800-2,000 / day or $200-500 / hour
  • Sound mixer (post): $500-1,200 / day

These rates are visible on every row so you don't have to leave the tool to sanity-check. Override any cell that doesn't match your market.

Where solo creators differ

A YouTube creator working alone has a fundamentally different budget. There's no crew, often no talent fee (yourself), and equipment is owned not rented. The line items that survive: software (NLE subscription, music license, AI tool stack), location costs (if any), and the hardest line โ€” your own time.

Most solo creators underprice their time to the point of fiction. A realistic solo-creator budget treats your hours as billable at whatever rate you'd charge a client. A $0 line-item for your time is how creators end up burning out โ€” it makes the project look profitable when it isn't.

Our calculator includes a "your time" row with an hours ร— rate cell so you can see the real cost of the project, not just the out-of-pocket cash.

Overhead and contingency

Overhead is what the producer or company takes off the top โ€” typically 15-25% on commercial work, 0% on creator-funded YouTube work. Contingency is the cushion โ€” 10-15% on top of everything, untouched until it's needed (and needed it will be).

The slider for both sits at the bottom of the calculator. Move the contingency slider to 0 and the calculator turns the row red. That's intentional โ€” running a project without contingency is taking on risk the budget should price.

Common forgotten lines

In order of how often they're missed:

  1. Insurance. Either a per-day rate from a production insurance broker or a percentage of the total.
  2. Music license. A single licensed track for a 90-second ad runs $200-2,000+ depending on tier. Royalty-free libraries (Artlist, Musicbed, Epidemic) are subscription-based โ€” pro-rate the subscription cost to this project.
  3. Captioning and accessibility. If the spot will air or post anywhere with reach, you need captions. Either VO-house service ($300-800) or DIY with our SRT Converter.
  4. Cloud storage and review. Frame.io, Vimeo Pro, or similar. Tiny per project, real over a year.
  5. Backup hard drives. A 4TB SSD per project is a cheap insurance policy.

Export and share

PDF export gives you a clean line-item-by-line-item budget formatted for client or producer review. CSV export lets you drop the numbers into a spreadsheet for further work. The calculator doesn't pretend to be a full production-accounting tool โ€” for that you want Movie Magic or a similar platform โ€” but for the budget before the work starts, it's the right level of detail.

Privacy

Calculator state persists locally in your browser. Nothing uploads, syncs, or transmits. Inside the paid VideoCue app, budgets attach to projects and can be shared with collaborators.

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